Camilla Løw

Camilla Løw (b.1976, Oslo, Norway) works through formal specificity, be this a relation to a space or a material body. Often embracing a visual language that recalls Constructivism and Minimalism, Camilla’s atmospheric forms do not just reference space but allow for a redefinition of space within the social psyche. Recent public commissions, such as Broken Thrones (2020), provide a case-in-point example of this socio-spatial redefinition.

 

 

 

 

 

 

Education. Camilla graduated with a BA in Fine Art from the Glasgow School of Art.

 

Select exhibitions. Fever Dream, ISCA Gallery, Oslo, Norway (2024); Total Theater ESP, Belmacz, London, UK (2024); Fifty Shades of Black, Henie Onstad Kunstsenter, Høvikodden, Norway (2024); Virksomheten [The business], Kunstnerforbundet, Oslo (2023);  Flower in the Wind, Belmacz, London (2023); Solo Exhibition, Camilla Løw, ISCA at Market Art Fair, Stockholm (2023); Carla Åhlander & Camilla Løw, Belmacz, London (2022);  GIRL MEETS GIRL, Vestfossen Kunstlaboratorium, Norway (2022); Space Junk, ISCA Gallery, Oslo (2021);  High Rise, ISCA Gallery, Oslo (2020); Alfabet, Belmacz, London (2019); B, Belmacz, London (2019); INSTRUMENTAL (Camilla Løw & Gert Marcus), Fullersta Gård, Huddinge (2018); Collective Collaborations, British Council Collection (touring exhibition) (2018-19); Alpenglühen – 100 years of Ettore Sottsass Jr, Belmacz, London (2017); Eye In The Sky, Kunstnerforbundet, Oslo (2016); NN-A NN-A NN -A – New Norwegian Abstraction, Astrup Fearnley Museum, Oslo (2015); Vibrant Matter, KIOSK, Ghent (2015); Nerves and Muscles, Elastic Gallery, Stockholm (2015); Chain On Chain, Belmacz, London (2014); Dumb Rocks, Belmacz, London (2013); The Space of Shape-Time, The National Museum of Art, Architecture and Design, Oslo (2012). The Vigeland Museum, Oslo and Dave Allen/Camilla Løw, Frieze Focus, Frieze Art Fair, London (2012). Culture & Leisure, New Art Centre, Roche Court, Salisbury (2010); Social Geometry, Schmidt & Handrup, Cologne (2010); M, Gallery AHO, Oslo (2009); New Ruins, Bergen Kunsthall (2008); Embraced Open Reassembled, Sutton Lane, London (2008); Straight Letters, Dundee Contemporary Arts, Dundee (2008); Straight Letters, Pier Arts Centre, Orkney (2008); Broken Windows, Elastic Gallery, Malmø (2007); Henriette Grahnert / Camilla Løw, Sutton Lane, Paris (2006); Camilla Løw, Jack Hanley Gallery, San Francisco (2005).

 

public collections. the Asker municipality art collection, Norway; Skulpturstopp sculpture park, Norway; Pier Arts Centre, UK; The National Museum of Art, Architecture and Design, Norway; The British Arts Council Collection, UK; The Government Art Collection, UK; Region Skåne, Sweden; The Ruppert Collection of post-1945 Concrete Art Museum in Kultuspeicher, Wurzberg, Germany; The Statoil Art Collection, Norway; The Storebrand Art Collection, Norway; Nasjonalmuseet for kunst, arkitektur og design Henie Onstad; The Arts Council Collection, UK; The Jotun Art Collection, Norway; MIT Visual Art Collection, USA.

 

Camilla lives and works in Oslo, where she is Professor; Art and Craft at the Oslo National Academy of the Arts.

Artworks

  • Maquette for the London System

    Maquette for the London System, 2019

    black steel, lacquer paint, wood, spray paint
    17 x 36 x 36 cm

  • Alfabet, installation view, Belmacz

    Alfabet, installation view, Belmacz, 2019

  • Machines (Black)

    Machines (Black), 2020

    concrete, steel, wheels
    30 x 30 x 120 cm

  • Resistance

    Resistance, 2020

    concrete, spray paint, steel and wheels
    50 x 50 x 71 cm

  • Broken Thrones

    Broken Thrones, 2020

    municipality of Ullensaker, Norway

  • Broken Thrones

    Broken Thrones, 2020

    municipality of Ullensaker, Norway

  • Fever

    Fever, 2019

    aluminium, spray paint, cord
    150 x 24 x 15 cm

  • Noir

    Noir, 2019

    black steel, laquer paint, cord
    40 x 94 x 2 cm

  • Alfabet, installation view, Belmacz

    Alfabet, installation view, Belmacz, 2019

  • Instrumental

    Instrumental, 2018

    Fullersta Gård, Huddinge
    installation view

  • Instrumental

    Instrumental, 2018

    Fullersta Gård, Huddinge
    installation view

  • Morgenen var så stille

    Morgenen var så stille, 2017

    public commission for the Frogner school and Culture center, Sørum (Norway). Powder-coated corrosion-resistant aluminium alloy and polished stainless steel sculptures

  • Red

    Red, 2014

    spray painted steel
    118 × 118cm

  • New Patterns

    New Patterns, 2014

    polished concrete and marble dust
    104.5 × 20cm (each part 25.3 × 20 × 20cm)

  • Dice

    Dice, 2014

    enamel, hand painted oak
    4.5 × 4.5 × 4.5cm

  • At Once

    Camilla Løw

    At Once, 2012

    lasercut and polished black perspex disk, on cord
    100 cm, height variable

  • Colour of Day

    Colour of Day, 2014

    stained glass, mild steel rod cord
    61.5 cm

  • Chain on Chain

    Chain on Chain, 2014

    spray painted oak and cord
    4cm × variable height

  • Horizontal Neon

    Horizontal Neon, 2014

    hand painted in enamel on aluminium & cord
    75cm × variable height

  • Antenna

    Antenna, 2014

    Hand painted oak
    20 x 20 x 20cm

  • Neon Winter

    Neon Winter, 2012

    coloured concrete
    Henie Onstad Kunstsenter, Høvikodden, Norway

  • Double Dynamic

    Double Dynamic, 2012

    Spray-painted steel
    Oslo Academy of Arts, Oslo Norway

  • Double Dynamic

    Double Dynamic, 2012

    Spray-painted steel
    Oslo Academy of Arts, Oslo Norway

  • TISTLER

    TISTLER, 2018

    powder-coated corrosion resistant aluminium alloy sculptures
    Holmen primary school, Oslo, Norway

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