2024
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Posted: 4 April 2024
Posted: 4 Apr 2024
Speleologists in the digital infinity, a review of Tim Berresheim at NRW-Forum
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Posted: 4 April 2024
Posted: 4 Apr 2024
Coco Crampton and Louise Bristow Plan for Living
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Posted: 4 April 2024
Posted: 4 Apr 2024
Toby Christian in After Mallarmé
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Posted: 4 April 2024
Posted: 4 Apr 2024
Hanna Mattes Forecast Journal residency
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Posted: 5 March 2024
Posted: 5 Mar 2024
Gernot Wieland at Theater an der Ruhr
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Posted: 5 March 2024
Posted: 5 Mar 2024
Camilla Løw at Henie Onstad Kunstsenter
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Posted: 5 March 2024
Posted: 5 Mar 2024
Cold in Church album launch, 22 March
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Posted: 5 March 2024
Posted: 5 Mar 2024
Crit Club with Abbas Zahedi
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Posted: 5 March 2024
Posted: 5 Mar 2024
Abbas Zahedi in conversation at Chisenhale Gallery
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Posted: 5 March 2024
Posted: 5 Mar 2024
Gernot Wieland in New York City
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Posted: 23 February 2024
Posted: 23 Feb 2024
Michela de Mattei and Toby Christian: Flash_Looking
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Posted: 21 February 2024
Posted: 21 Feb 2024
museum acquisition for Charlott Weise
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Posted: 2 February 2024
Posted: 2 Feb 2024
Gernot Wieland at the 74th Berlinale
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Posted: 2 February 2024
Posted: 2 Feb 2024
ArtReview Culture Club: Public Art – What’s ‘Public’ About It?
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Posted: 2 February 2024
Posted: 2 Feb 2024
Michela de Mattei in RETROFUTURE
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Posted: 2 February 2024
Posted: 2 Feb 2024
Tim Berresheim Neue Alte Welt
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Posted: 23 January 2024
Posted: 23 Jan 2024
Belmacz at miart 2024
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Posted: 2 January 2024
Posted: 2 Jan 2024
Michela de Mattei publication launch
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Posted: 2 January 2024
Posted: 2 Jan 2024
Agata Madejska publication launch
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Posted: 2 January 2024
Posted: 2 Jan 2024
Agata Madejska Grand Habitat Horror Vacui
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Posted: 2 January 2024
Posted: 2 Jan 2024
“Have we ever considered the whale?”
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Posted: 2 January 2024
Posted: 2 Jan 2024
Hanna Mattes talks with Sophie O.