2022
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Posted: 2 December 2022
Posted: 2 Dec 2022
Abbas Zahedi in Horrors in the Modernist Block
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Posted: 2 December 2022
Posted: 2 Dec 2022
Michela De Mattei at and on MAXXI L’AQUILA’s MAXXIVERSO
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Posted: 2 December 2022
Posted: 2 Dec 2022
The Sound of Colour/Further Specimens re: Sound/Light
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Posted: 2 December 2022
Posted: 2 Dec 2022
Tim Berresheim in Broken Music Vol. 2
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Posted: 2 December 2022
Posted: 2 Dec 2022
Have we ever considered the whale?
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Posted: 24 November 2022
Posted: 24 Nov 2022
Congratulations Gernot Wieland, best experimental film!
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Posted: 3 November 2022
Posted: 3 Nov 2022
Deutscher Kurzfilmpreis
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Posted: 3 November 2022
Posted: 3 Nov 2022
Carla Åhlander book presentation
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Posted: 3 November 2022
Posted: 3 Nov 2022
Tim Berresheim in Volume 1: The History between persistence and criticism
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Posted: 3 November 2022
Posted: 3 Nov 2022
Abbas Zahedi features in Horror in the Modernist Block
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Posted: 3 November 2022
Posted: 3 Nov 2022
Michela de Mattei’s Estée Lauder, the VR experience
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Posted: 27 October 2022
Posted: 27 Oct 2022
congratulations Gernot
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Posted: 4 October 2022
Posted: 4 Oct 2022
Tim Berresheim, La Grotta della Fenice – Lo Spaventapasseri
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Posted: 4 October 2022
Posted: 4 Oct 2022
Gernot Wieland at the Festival des Cinémas Différents et Expérimentaux de Paris
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Posted: 4 October 2022
Posted: 4 Oct 2022
Waiting With {Sonic Support}
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Posted: 15 September 2022
Posted: 15 Sep 2022
Life isn’t a bed of neuroses
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Posted: 15 September 2022
Posted: 15 Sep 2022
Tim Berresheim, La Grotta della Fenice — Una Passione Inconfessabile
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Posted: 15 September 2022
Posted: 15 Sep 2022
OFF GRID 2022
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Posted: 15 September 2022
Posted: 15 Sep 2022
Abbas Zahedi in Shondaland
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Posted: 15 September 2022
Posted: 15 Sep 2022
Hospital Rooms A Research Symposium
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Posted: 15 September 2022
Posted: 15 Sep 2022
Coco Crampton with Hospital Rooms
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Posted: 15 September 2022
Posted: 15 Sep 2022
Michela de Mattei at Museo MAXXI
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Posted: 18 August 2022
Posted: 18 Aug 2022
Patterns. Pop and Politics in Contemporary Textile Art
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Posted: 18 August 2022
Posted: 18 Aug 2022
Gernot Wieland at M1 VideoSpace
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Posted: 18 August 2022
Posted: 18 Aug 2022
Routes of Innovation Tim Berresheim
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Posted: 7 July 2022
Posted: 7 Jul 2022
Abbas Zahedi wins the 2022 Frieze Artist Award
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Posted: 7 July 2022
Posted: 7 Jul 2022
Performance Exchange 2022
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Posted: 7 July 2022
Posted: 7 Jul 2022
The London Open
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Posted: 7 July 2022
Posted: 7 Jul 2022
The Palliative Turn featuring Carla Åhlander and Gernot Wieland
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Posted: 7 July 2022
Posted: 7 Jul 2022
Dead Darlings #15 — Issue! 2
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Posted: 23 June 2022
Posted: 23 Jun 2022
Michela de Mattei at the Museum of Rome
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Posted: 23 June 2022
Posted: 23 Jun 2022
Gernot Wieland featured in the ART HOUSE film festival
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Posted: 23 June 2022
Posted: 23 Jun 2022
Tim Berresheim for Parley for the oceans
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Posted: 11 May 2022
Posted: 11 May 2022
London Gallery Weekend & Learn to Read monograph launch
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Posted: 5 May 2022
Posted: 5 May 2022
GIRL MEETS GIRL featuring Camilla Løw
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Posted: 5 May 2022
Posted: 5 May 2022
Metatopia 10013
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Posted: 5 May 2022
Posted: 5 May 2022
Paul Kindersley performance at The Courtauld
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Posted: 5 May 2022
Posted: 5 May 2022
Tim Berresheim at Museum für Photographie Braunschweig
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Posted: 5 May 2022
Posted: 5 May 2022
Hanna Mattes in residence
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Posted: 5 May 2022
Posted: 5 May 2022
double screening of Bird in Italian is Uccello
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Posted: 5 May 2022
Posted: 5 May 2022
Soft Machine open
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Posted: 5 May 2022
Posted: 5 May 2022
Learn to Read monograph launch May 13, 2022
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Posted: 12 April 2022
Posted: 12 Apr 2022
Dead Darlings’ Anonymous Art Auction
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Posted: 12 April 2022
Posted: 12 Apr 2022
Kaiserstadt Tattoo Exhibition I
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Posted: 12 April 2022
Posted: 12 Apr 2022
EMAF 2022
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Posted: 12 April 2022
Posted: 12 Apr 2022
Asia Forum for the contemporary artistic practices of Global Asias.
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Posted: 12 April 2022
Posted: 12 Apr 2022
SoftMachine opens Phileas’ new exhibition space
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Posted: 12 April 2022
Posted: 12 Apr 2022
Invitation of the Soft Machine and Her Angry Body Parts
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Posted: 10 March 2022
Posted: 10 Mar 2022
Standing with Ukraine
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Posted: 10 March 2022
Posted: 10 Mar 2022
Abbas Zahedi Associate Artist at Barbican
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Posted: 10 March 2022
Posted: 10 Mar 2022
Museum acquisition for Gernot Wieland
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Posted: 10 March 2022
Posted: 10 Mar 2022
Paul Kindersley: Speak Your Story Into Life
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Posted: 10 March 2022
Posted: 10 Mar 2022
Paul Housley in A Play of Features
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Posted: 10 March 2022
Posted: 10 Mar 2022
two museum exhibitions for Tim Berresheim
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Posted: 14 January 2022
Posted: 14 Jan 2022
Michela de Mattei in Post-turismo
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Posted: 14 January 2022
Posted: 14 Jan 2022
Gernot Wieland: DIVERSEartLA 2022
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Posted: 14 January 2022
Posted: 14 Jan 2022
Gernot Wieland: Curiouser & Curiouser
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Posted: 14 January 2022
Posted: 14 Jan 2022
Abbas Zahedi in Goldsmiths CCA’s exhibition Testament
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Posted: 14 January 2022
Posted: 14 Jan 2022
Hanna Mattes is State of Cling
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Posted: 14 January 2022
Posted: 14 Jan 2022
Hanna Mattes “Stone”
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Posted: 14 January 2022
Posted: 14 Jan 2022
Beuys Open Source
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Posted: 14 January 2022
Posted: 14 Jan 2022
CAS Friday Dispatch
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Posted: 14 January 2022
Posted: 14 Jan 2022
I Like South America and South America Likes Me
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Posted: 14 January 2022
Posted: 14 Jan 2022
Paul Kindersley: open by appointment
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Posted: 14 January 2022
Posted: 14 Jan 2022
Belmacz at the Aspen Art Museum
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Posted: 14 January 2022
Posted: 14 Jan 2022
Abbas Zahedi, on the curatorial comitte of second Brent Biennial
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Posted: 14 January 2022
Posted: 14 Jan 2022
Abbas Zahedi: Hospital Rooms
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Posted: 14 January 2022
Posted: 14 Jan 2022
Hanna Mattes at Galerie im Saalbau (Berlin)
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Posted: 14 January 2022
Posted: 14 Jan 2022
Tim Berresheim’s new publication