Tim Berresheim

Tim Berresheim (b.1975, Heinsberg, Germany), studied at the Hochschule der Bildende Künste in Braunschweig from 1998–2000 and the Kunstakademie in Düsseldorf 2000–2002.

 

Recent solo exhibitions include: Aus alter Wurzel neue Kraft – from Los Angeles to Bad Aachen, Die Kabine c/o Studios New Amerika, Aachen, (2019); Tim Berresheim works 2007-2018, as part of Charlottenwalk, Gallery Weekend, Berlin (2019); Harry Rag, Belmacz, London (2019); Suspension of Disbelief, Neuer Aachener Kunstverein, Aachen, Germany (2018); Smashin’ Time II, Kunst Raum Riehen, Riehen, Switzerland (2018); Smashin’ Time, Kunst & Denker Contemporary, Düsseldorf, Germany (2017); Auf der Pirsch, Galerie Reinhard Hauff, Stuttgart, Germany (2017); Revisiting the Vaults, C/O, Aachen, Germany (2016); Aus alter Wurzel neue Kraft, Meliksetian Briggs, Los Angeles CA, USA (2016); Tim Berrresheim: 2003–2015, Ludwig Forum, Aachen, Germany, (2015); Auge und Welt, Kunstverein Düsseldorf, Germany (2014); Tarnen & Täuschen: too long; didn’t read SOS, Galerie Thomas Flor, Berlin, Germany (2012); Die Dämmerung, Kunstmuseum Celle, Germany (2011); Future Gipsy Antifolklore What?!, Marc Jancou Contemporary, New York (2010); The Guilty Pleasure, Patrick Painter Inc., Santa Monica, California (2010); Out from Here and Now, Galerie Hammelehle and Ahrens, Cologne, Germany (2010); Opening Kunsthalle Gießen, Giessen, Germany (2010).

Recent group exhibitions include: Avanti, Michael Horbach Stiftung, Germany  (2019); Cluster Aix-la-Chapelle, CLAIX-2018, at Aachen University with a Cultural Conference Cultural Natives = Digital Immigrants? , Germany (2019);  It’s All Black and White, Art Berlin 2019, Frederick R. Weisman Art Foundation, Fellbach Triennial curated by Dr Brigitte Franzen, Fellbach, (2019); Sleep Walk, Paris, (2019); Lust der Täuschung – Von antiker Kunst bis zur Virtual Reality, Ludwig Forum für internationale Kunst,  Aachen, (2019); Geheimnis der Dinge. Malstücke, Kunsthalle Recklinghausen, Germany (2019); Lust der Täuschung, Von antiker Kunst bis zur Virtual Reality, Ludwig Forum für internationale Kunst, Aachen (2019); Die Macht der Vervielfältigung, Baumwollspinnerei, Leipzig (2019); Project Tumbleweed, Flora & Fauna GmbH, Düsseldorf (2019); LIGHT BOX — 18 aktuelle Positionen, Kunstmuseum Celle, Germany (2018); Geheimnis der Dinge. Malstücke, Beck & Eggeling International Fine Art, Düsseldorf, Germany (2018); Die Macht der Vervielfaeltigung, Museu de Arte do Rio Grande do Sul, Porto Alegre, Brazil (2018); Mixed Realities, Virtuelle und reale Welten in der Kunst, Kunstmuseum Stuttgart, Germany (2018); Brisante Träume – Die Kunst der Weltausstellung, Marta, Herford, Germany (2018); Becoming Animal, Den Frie Udstillingsbygning, Copenhagen, Denmark (2018); The Happy Fainting Of Painting #2, Galerie Krobath, Vienna, Austria, Kunst gegen Hunger, Langen Foundation, Neuss, Germany (2017); the real-fake. org.02, BronxArtSpace, New York NY, USA, Digital Museum Of Digital Art, Satellite Art Show, Miami, Florida (2016).

 

He lives and works in Aachen. 

Artworks

  • Happy Doobie Hand

    Tim Berresheim

    Happy Doobie Hand, 2016

    3D Print Tool Hand
    19 × 18 × 10cm

  • Tarnen Taeuschentl

    Installation View

  • 1.-Installation-view,-Suspension-of-Disbeliefì-at-Neuer-Aachener-Kunstverein_BER_WEB

    Installation View

  • 3.-Installation-view,-Suspension-of-Disbeliefì-at-Neuer-Aachener-Kunstverein_BER_WEB

    Installation View

  • 13---Untitled_BER_WEB

    Installation View

  • 12---IMG_9891_BER_WEB

    Installation View

  • From Future Gypsy Antifolklore

    Tim Berresheim

    From Future Gypsy Antifolklore, 2010

    235 × 343cm

  • Aspettatori bugged out I

    Installation View

  • Aspettatori (B&W) Yellow (I)

    Tim Berresheim

    Aspettatori (B&W) Yellow (I), 2013

    dyed fibre based black & white photograph
    125 × 100cm

  • 10---IMG_0151_BER_WEB

    Installation View

  • 11._BER_WEB

    Installation View

  • From Future Gipsy Antifolklore

    Tim Berresheim

    From Future Gipsy Antifolklore

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