Gernot Wieland

Through video, and other media made performative, Gernot Wieland (b.1968, Horn, Austria) subtly voices the complexities of living in our secular society. Working with scribbly line drawing, grainy film, and absurd presences, his videos emerge through a process of rag-tag blending. Here, historical accounts, personal memories and speculative imaginings become quasi-absurd narratives; humorous and psychologically pointed.

Education. The Academy of Fine Arts Vienna and the University of Fine Arts Berlin.

Select exhibitions. You do not leave traces of your memory, just of your acts., KH Künstler:innenhaus Bremen, Germany (2024); Square, Circle, Square, argos centre for audiovisual arts, Brussels, Belgium (2023); Halb Nackt, Belmacz, London, UK (2023); Turtleneck Phantasies, Kindl – Centre for Contemporary Art – M 1 VideoSpace, Berlin, Germany (2022); ECOPOETICS OF GENERIC WORLD, DIVERSEartLA, LA, USA (2022); Transferencia, Kirchner Cultural Center, BIENALSUR, Buenos Aires, Argentina (2021); …like ink in milk, Quartz Studio, Turin, Italy (2021); Videonale, Festival for Video und Time-Based Art, Kunstmuseum Bonn, Germany (2021); Kunst Halle Sankt Gallen, St. Gallen, Switzerland (2020); Salzburger Kunstverein, Salzburg, Austria (2020); ANIMA – Taiwan International Video Art Exhibition, Hong-Gah Museum, Taipei, Taiwan (2020); The Law is a White Dog, TULCA Festival of Visual Arts, Galway, Ireland (2020); Zoo Cosmos, Casa Conti /Ange Leccia Art Center, Oletta, France (2020); Grand Hotel Abyss, Steirischer Herbst Festival, Graz, Austria (2019); Ink and Milk, Belmacz, London, UK (2019,); Vdrome, London, UK (2019); Monitoring, Kasseler Kunstverein, Kassel, Germany (2018); Zeitspuren, Centre d´art Pasquart, Biel, Switzerland (2018); Shame, Künstlerhaus Bremen, Bremen, Germany (2018), Survival Kit 9, LCCA – Latvian Centre for Contemporary Art, Riga, Latvia (2017); The Museum of Modern Comedy in Art – A Proposal, Projects Art Centre, Dublin, Ireland (2017); MOSTYN Open 20, Llandudno, Wales (2017); 9th Norwegian Sculpture Biennial, Vigeland Museum, Oslo, Norway (2017).

Screening. Chicago Filmmakers, USA; Villa Medici Film Festival, Italy; the 18th KFFK / short film festival Cologne, Germany; First Look festival, New York; Berlinale 2024, Germany; 36th Stuttgarter Filmwinter – Festival for Expanded Media, Germany; 42nd Uppsala Short Film Festival, Sweden; Jogja Fotografis Festival, Indonesia; the 69th International Short Film Festival Oberhausen, Germany; the International Short Film Festival, Hoberhausen, Germany; 36th Stuttgarter Filmwinter – Festival for Expanded Media, Germany; Videonale, Festival for Video und Time-Based Art, Kunstmuseum Bonn, Germany; IndieLisboa – International Independent Film Festival, Portugal; EMAF – European Media Art Festival, Osnabrück, Germany; VIII Kinodot Experimental Film Festival, St. Petersburg, Russia; Kasseler Dokumentar, Film und Videofest, Kassel, Germany; International Short Film Festival, Hamburg, Germany; Athens Avant-Garde Film Festival, Athens, Greece; International Film Festival in Rotterdam, The Netherlands; Jakarta International Documentary and Experimental Film Festival, Indonesia; Gimli Film Festival, Gimli, Canada; Dobra, Festival de Cinema Experimental, Rio de Janeiro, Brasil.

Awards. Aus-Blicke Prize (2023); the Main prize at the 69th International Short Film Festival Oberhausen (2023); German Short Film Award (in the category experimental film under 30 minutes) (2022); a prize at the 24th edition of the Festival des Cinémas Différents et Expérimentaux de Paris, Paris (2022); Best Film at the VIII Kinodot Experimental Film Festival, St. Petersburg, Russia (2020); the German Film Critics’ EMAF Media Art Award (2019); in 2017 Gernot won the MOSTYN Open.