Carla Åhlander | available works

In the realm of possible

Carla Åhlander, In the realm of possible, 2003

series of 2 × 60 framed 35 mm slides, installed with 2 projectors, 120 framed 35 mm slides

POR

Often working through photographic series, Carla Åhlander uses this medium to provoke inquisitive looking. Exploring structures of power as well as those that appear as trivial, Carla’s quiet photos give new stresses to her subject matter. In doing so they reveal, as through a soft haze, memories and histories occluded by surface appearances.

Every Possible Tone

Carla Åhlander, Every Possible Tone, 2012

enlarged contact sheet pigment print on adhesive vinyl, 200 x 150 cm

£2,400 (ex vat) ed. 2 + 1 AP

Auflösung II

Carla Åhlander, Auflösung II, 2013

silver gelatine print on baryte paper , 30 x 40 cm

£1,200 (ex vat). 2 + 1 AP

Parallel World (Klavier)

Carla Åhlander, Parallel World (Klavier), 2022

pigment print on Hahnemühle photo rag, 120 x 86 cm

£2,000 (ex vat)

Untitled (boarder)

Carla Åhlander, Untitled (boarder), 2016

C-print, 40 x 40 cm

800 (ex vat). 1 + 1 AP

The outside stairs and woman smoking

Carla Åhlander, The outside stairs and woman smoking, 2018

photo, pigment print, 30 x 42 cm

£1,000 (ex vat). unique

Sealed Premises

Carla Åhlander, Sealed Premises, 2011

series of 14 digital images for projection, variable

2 + 1 AP

Artist biography

 

 

 

 

Education. Carla (b.1966, Lund, Sweden) studied art history, performance and photography in Sweden, Italy and Denmark between 1985 and 1994.

 

Select exhibitions. Holding Places, Belmacz, London (2024); Troubled Kinships, B-LA-M Festival, Berlin (2024); The Palliative Turn, Künstlerhaus Bremen, Germany (2022); Carla Åhlander & Camilla Løw, Belmacz, London (2022); Beuys Open Source, Belmacz, London (2021-22); Kunst im Traum, HilbertRaum, Berlin (2021); Geister (ghosts), SCOTTY, Berlin (2021); Alle Erinnerung ist Gegenwart, Neues Kunsthaus Ahrenshoop, Berlin (2019); Pelle d’oca, Villa Vertua Masolo, Italy (2019); BONE Performance Art Festival, Bern, Switzerland (2018); 9th Norwegian Sculpture Biennial, Oslo (2017); Gruezi, Kunstmuseum Olten, Olten (2016); InterKontinental, Belmacz Gallery, London (2016); Noteringar: tillstånd, platser, Fotogalleriet Format, Malmö (2014); Perspektiven, After Work, Schwartzkopffstraße nGbK, Berlin (2013); Anyone for cricket?, Kunstverein Horn, Horn (2013); Gastarbeiter, Italienisches Kulturinstitut, Wolfsburg (2012); Boredom, Essays & Observations, Berlin (2012); Mellan händelser, Martin Bryder Gallery, Lund (2011); Time is what keeps the light from reaching us, The Liverpool Biennial (2010); Gradual Change, Axel Nordin Gallery, Stockholm (2010); Immortality, TENT – Center for visual arts, Rotterdam (2009).

 

Awards and grants. Carla has received the Artistic Research Grant from Berlin Senate Department for Culture and has previously been the recipient of artist residencies at Centro Tedesco di Studi Veneziani in Venice, Künstlerhaus Lukas, Ahrenshoop, among others. She has produced series photographic works for public space in underground station Schwartzkopffstraße in Berlin (After Work/nGbK), in Cologne (The Reclaim Award) and in Vienna (Prospective Sites, Europart).

 

Carla lives and works in Berlin, where she teaches Photography at Bard College Berlin and at the Berlin University of the Arts.

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