In his new installation, devised especially for Camden Arts Centre, Jonathan Baldock explores contemporary ‘primitivism’ to create a darkly humorous world in which his works are cast as characters in an alternate reality. Borrowing its title from Orwell’s dystopian future fable, ‘1984’, Facecrime meshes together ceramics, basketry, hand-spun yarn, textiles and sound, through precariously stacked, monolithic ceramic columns that crowd and teeter through the gallery space.