Estragon_title_card_01.4a_WEB

Estragon_title_card_01.4a_WEB

3 April 2019 — 10 May 2019

3 Apr 2019 — 10 May 2019

Estragon

Estragon summons practitioners from across the Eurasian tectonic.

 

Whilst structural conveniences begin to collapse and the remnants of enlightenment ideas are nullified, Estragon extends a welcome to estrangement from the peripheries of an imagined, contingent space.

 

Here a circle closes, precipitating surrogate teleologies. Resuming the central premise of Interkontinental (Belmacz, 16.04 – 18.06.16), Estragon visualises methods of mediated and mutating coexistences. New histories of abstraction transport the object through radically altering fields of distinguishability.

 

Through speculative orchestration, we will construct a governing frame-work for community socialisation, object-to-object meaning disclosure and carnal interactions, displaced from cultural and mythical origins.

 

Horizontal extremities converge today: poles on the left and right shift, demagnetise. The contention of synchronicity and dissonance is no longer relevant; the impulses of isolation, bewilderment and arbitrary abrasion traverse beyond the vanishing point.

  • Installation View

  • DSC7125_edited_flatLR-1

    Installation View

  • Installation View

  • Installation View

  • Post-fact

    Theodoulos Polyviou

    Post-fact, 2019

    iPhone, lube, condom, VR headset, steel rods, MDF VR technology developed with Breaking Fourth
    79.5 × 79 × 145 cm

  • Post-fact (detail)

    Theodoulos Polyviou

    Post-fact (detail), 2019

    iPhone, lube, condom, VR headset, steel rods, MDF VR technology developed with Breaking Fourth
    79.5 × 79 × 145 cm

  • Der Einzige und sein Eigentum / The Ego and Its Own

    Michalis Pichler

    Der Einzige und sein Eigentum / The Ego and Its Own, 2011

    publication in four languages
    15 × 10 cm

  • 30.956897, -2.033347

    Lydia Ourahmane

    30.956897, -2.033347, 2019

    Polaroid
    8.5cm × 10.8cm

  • Installation View

  • Hourglass (diptych)

    Coco Crampton

    Hourglass (diptych), 2018

    pencil crayon on paper mounted in perspex box frames
    42 x 35 cm (each) framed

  • BUGGER ALL

    Anys Reimann

    BUGGER ALL, 2019

    linen embroidered with a mercerized cotton thread
    59 × 43 cm, 3 + 2 AP

  • Technocomplex 010 & 011

    Installation View

  • clouds (asilah)

    Johanna Magdalena Guggenberger

    clouds (asilah), 2018

    digital c-print
    41 × 41 cm

  • This Certifies That

    Yelena Popova

    This Certifies That, 2016

    Algorithm. Sound composition by Rebecca Lee; coding by Noel Murphy
    3.7 MB

  • Model for a Monument

    Magdalena Drwiega

    Model for a Monument, 2019

    sandstone and acrylic paint
    9 × 9 × 18 cm

  • The Collapse of the Durutti Column

    Mikael Brkic

    The Collapse of the Durutti Column, 2018-19

    printed comic
    A3

  • Chroma Cherry Berry Beam

    Bella Rune

    Chroma Cherry Berry Beam, 2019

    silk mohair dyed with Kool-Aid, flavours Double Cherry and Mixed Berry
    0.18 × 2.90m

  • Chroma Cherry Berry Beam (detail)

    Bella Rune

    Chroma Cherry Berry Beam (detail), 2019

    silk mohair dyed with Kool-Aid, flavours Double Cherry and Mixed Berry
    0.18 × 2.90m

  • Installation View

  • Composition White and Black

    Magdalena Drwiega

    Composition White and Black, 2019

    plastic, metal and electric cable
    56 × 100 × 19 cm

Enquiry

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