Charlott Weise’s (b. 1991, Görlitz, Germany) practice reflects upon how femininity is performed across a range of cultural fields, from historical figurative painting to literature and the mainstream media. As a form of intuitive image-based writing, Charlott’s paintings image rich interior worlds, spaces with a narrative mise-en-scène, where female archetypes find themselves slipping between, in and out of, thick plotlines both banal and bombastic.

Artist biography

Education. Charlott was a participant at De Ateliers (Amsterdam) in 2016. Previously, she studied at the Gerrit Rietveld Academie (Amsterdam), as well as studying under Class of Prof. Christian Macketanz, at Hochschule für Bildende Künste Dresden, and the artist Heike Dittrich, in Bautzen (Germany).

Select exhibitions. The Score, Foundation Nieuw & Meer, Amsterdam, The Neatherlands (2024); Chrome47, ArtCity, Berlin, Germany (2024); Sketches for the Furture, Belmacz at Miart 2024, Milan, Italy (2024); For these thoughts we change into pink, Belmacz, London, UK (2024); Kiss my Soul, Dordrechts Museum, Dordrecht, The Netherlands (2023); How to Cook a Wolf, two seven two gallery, Toronto, Canada (2023); Mutig Wandeln, Kunsthalle Görlitz, Germany (2023); Global Cows 2020, Images Festival, Toronto, Canada (2021); Tinted Glass, Kunsthalle Münster, Germany (2021); Notes on Wine, hosted by Cascina Gilli, NEVVEN, Castelnuovo Don Bosco, Italy (2021); Group exhibition curated by Pádraic E. Moore at Classics Museum Dublin, Ireland (2020); Koninklijke Prijs voor Vrije Schilderkunst, Koninklijke Palais Amsterdam, The Netherlands (2020); The Annotated Reader, curated by Ryan Gander & Jonathan P. Watts, Quartz Studios, Torino, Italy (2020); Vordemberge-Gildewart Award, GEM, Den Haag, The Netherlands (2020); Schulz & Weise, duo exhibition with Franziska Schulz, W139, Amsterdam, The Netherlands (2019); ampersands, W139, Amsterdam, The Netherlands (2019); Take me away, A Maior, Viseu, Portugal (2018); He at Sea, Kunstfort bij Vijfhuizen, Vijfhuizen, The Netherlands (2018); A Postcard from Amsterdam, duo, Lower.green, Norwich, UK (2018); The Ashtray Show West, Belmacz, London, UK (2018); If I was your Girlfriend, Belmacz, London, UK (2018); The Yellow Wallpaper, Ginerva Gambino, Cologne, Germany (2017); Johnny Suede, Damien & the Love Guru, Brussels, Belgium (2017); CILADA, A Maior, Viseu, Portugal (2017); 9 PAINTINGS, Galería Formatocomodo, Madrid, Spain (2016); NADA Miami Beach, Galería FORMATOCOMODO, USA (2016); Whiskers by the name of lilacs, Galerie Rianne Groen, Rotterdam, The Netherlands (2016);PAAREN, PS projectspace, Amsterdam, The Netherlands (2015); SELECTED, Castrum Peregrini, Amsterdam, The Netherlands (2014); Entering the Painting, tegenboschvanvreden, Amsterdam, The Netherlands (2014).

Awards and grants. Artist Grant of the Mondriaan Fund (2022); Winner Koninklijke Prijs voor Vrije Schilderkunst (2020); Nominated for Vordemberge-Gildewart Award (2020); Artist Start Grant of the Mondriaan Fund (2017); Praktijkverdieping Postacademische Instellingen Grant of the Mondriaan Fund  (2014-2016); Nominated for Rietveld Academie Award (2014); Nominated for Rietveld Fine Arts Prize (2014); 2. Prize E.O. Plauen Junior Award (2012).

Alongside her individual practice, Charlott is also a member of Cold in Church, a band of performative artists based in Amsterdam. Recent performances include: IF—A MUSICAL WITH POP MUSIC, NOISE, AND MANY THEATRICAL ASIDES, Rijksakademie van beeldende kunsten, Amsterdam The Netherlands (2023); and Hot Mesh, Rijksakademie van beeldende kunsten, Amsterdam, The Netherlands (2022).

Charlott lives and works between Amsterdam (The Netherlands) and Görlitz (Germany).